Darhon Rees-Rohrbacher holds Bachelor, Master and Doctor of Music degrees in Vocal Music. Initially trained as a classical vocalist and pianist, she began her harp studies after moving to Upstate New York and has since followed a multi-faceted career path. Her harp playing has taken her from the most formal orchestral concerts to very intimate chamber performances wearing historical costume. Her vibrant singing voice has been heard in numerous stage productions, recitals, concerts and competitions in the United States and abroad. In addition to being a well-known arranger whose harp publications are sold internationally, she is an experienced choral conductor, concert organizer, arts advocate, music journalist and music educator. She gives private instruction at her home in piano, voice and harp and performs extensively in the Northeastern U.S.A. Darhon also pursues her interest in healing as a registered nurse.
Complete Ave Maria (Schubert)
$12.50
| PDF or LHS | Downloadable |
|---|---|
| Difficulty Level | Intermediate |
| Harp Type | Lever Harp, Pedal Harp |
| Other | Religious/Spiritual, Wedding Music/Love Songs |
| Traditional Music |
This publication contains the beloved musical setting of Ave Maria by Franz Schubert. It has been arranged for all harps and voice (as well as for solo harps), transposed into several different keys, and designed for accompanied or self-accompanied singing. The traditional keyboard accompaniment has been modified so that it is within the technical capabilities of most harpists and harpers.
The original version is written in 4/4 time; however, I have transcribed it into 12/8 time so that the visual layout on the page is more appealing and easier to read. In order to eliminate any awkward page turns, a slightly smaller staff size was used on the vocal arrangements. I have attempted to approximate the original rhythmic contours of the voice part within the confines of 12/8 time. Feel free to make rhythmic adjustments as desired.
The Latin text version of the Roman Catholic prayer “Hail Mary, full of grace” is placed under the melody line. I have also offered a singable English version that attempts to capture the spirit of the original text within the syllabic contour implied by the melody.
